PONZANESI POSTCOLONIAL CINEMA STUDIES

Culture in motion pictures. Minh-ha, Postcolonial Cinema Studies does not redundantly analyze the oeuvre of a few celebrated filmmakers, nor does it confine itself entirely to arthouse cinema. My library Help Advanced Book Search. Although Ponzanesi and Waller do recognize the valuable contributions of acclaimed directors such as Ousmane Sembene and Trinh T. Productive Encounters and Re-Enchanting Paradigms pp. Not only does it stretch the corpus of films to be studied, it also productively counterpoints theories, methodologies, and regions. Philippe Faucon’s Dans la vie, Mireille Rosello 7. Each section begins with a brief introduction that summarizes the major themes and ideas of the corresponding essays, and also provides the reader with additional concepts relating to postcolonialism and cinema studies.

Essays on Gendered Communication Across Media pp. Imperialism in motion pictures. Nollywood Films in Transit: It is helpfully organized into four sections: Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology. Contexts, Practices and Politics pp. Skip to search Skip to main content.

Multiculturalism in motion pictures. Postcolonial Cinema Studies makes an excellent case for that recognition and is likely to be useful for anyone who wishes to navigate the complex legacies of our colonial pasts in a necessarily critical and creative manner. Challenging National Homogeneity pp.

Gender, Globalization and Violence: Interdisciplinary and transnational, the volume goes beyond the usual Anglo-phone boundaries. Description Ztudies collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Colonial Memories and Afro-Italian Narratives. An eBook version of this title already exists in your shopping cart.

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With interdisciplinary expertise, they discover and explore the conceptual temporalities and spatialities of postcoloniality, with an emphasis on the politics of form, the ‘postcolonial aesthetics’ through which postcllonial challenge themselves and their viewers to move beyond national and imperial imaginaries.

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At the same time, this is also an eloquent and provocative study, which scholars working in the examination of cross-cultural dialogue will want to keep well in mind for their future research.

Philippe Faucon’s Dans la vie, Mireille Rosello 7.

International Journal of Postcolonial Studies18 2pp. Etnofoor25 2 Productive Encounters and Re-Enchanting Paradigms pp. Stduies Subjects and Migration.

Postcolonial cinema studies in SearchWorks catalog

New Frames of Gender Violence. The Postcolonial Cultural Industry: This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Space and identities in Migration Literature in Italy. Browse related items Start at call number: Feminist Theory and Multiculturalism. The Postcolonial Cultural Industry. Postcolonial Conflict Zones pp.

This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Phoolan Devi and Postcolonial Critique. Essays on Gendered Communication Across Media pp. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology.

This is highly relevant in an increasingly globalized world where media can transcend boundaries with unprecedented ease.

Culture and Urban Change in Italy pp.

From ‘Over There’ to Inside: Special issue guest editors for Crossings: Ponzanesi and Waller conclude the book with an interview with the renowned scholar Priya Jaikumar, who eloquently discusses methods and reasons for teaching postcolonial studies. The Color of Love: The selected essays span from Empire Cinemas of the silent era to the Nollywood video industry, and provide clear analyses to the ways that various cinematic elements evoke concepts of identity, nationality, religion, conflict and memory.

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Many of the essays selected by Ponzanesi and Waller provide the reader with necessary backgrounds on the pro-filmic circumstances of each film as well as detailed but not exhaustive summaries of the narrative, which are especially useful since several of the films are difficult to find postcolonil of libraries, university collections, and even within the expanse of the Internet.

Bride and Prejudice Gurinder Chadha, Although more advanced scholars may consider these introductions finema, they provide a cohesive outline for those who may not yet be as familiar with these theories and concepts.

Postcolonial cinema is presented, not as a rigid category, but as an optic through which to ponzanesj questions of postcolonial historiography, geography, subjectivity, and epistemology. On Digital Crossings in Europe. Paradoxes of Post-colonial Culture. Postcolonial Cinema Studies Film studies. Postcolonial Cinema Studies provides a refreshing, comprehensive look at global cinema and postcoloniality.

Motion pictures and globalization. Nielsen Book Data Publisher’s Summary This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Literary Awards, Cultural value and the Canon. Find it at other libraries via WorldCat Limited preview. Tuin, van der Eds.

Sandra PonzanesiMarguerite R. Contexts, Practices and Politics.